Obler, B. and Rosenzweig, P. (2019) Fast Fashion Slow Art, New York, NY: Scala Arts Publishers, Inc.

Kyprianidou, E. (2017). Weaving culture in Europe. Athens Greece: Nissos Publications.

Flood, C. and Grindon, G. (2014) Disobedient Objects, Victoria & Albert Museum, London, UK.

Bell, N. (2012) 40 Under 40 Craft Futures, Smithsonian American Art Museum, Washington DC. Yale University Press.

Åhlvik, C. and von Busch, O. (2010) Handarbeta För En Bättre Värld, Jönköpings, Jönköpings läns Museum.

Mitchell, A., Sorkin, J., Quinton, S. (2009). When Women Rule the World. Textile Museum of Canada and The Art Gallery of Calgary.

Bazzani, G. (2008). Freedomism: Artistic Practices After the Naturalization Market. Museo d’Arte Contemporanea e del Novecento di Monsummano Terme.

Edwards, D. R. M. J. S. J. S. (2007). Radical Lace and Subversive Knitting. Dalton, MA, The Studley Press.

Quaranta, D. (2006). Weaving the Web. in_rete 2006 miniartextilcomo. Milan, Arte & Arte: 27-29, 40-41.

Metcalfe, D. B. A. G. A. H. H. F. J. I. J. (2005). CyberArts 2005. Linz, Hatje Cantz Publishers.

Thurz, M. (2007). Thread. Pittsburgh, Wood Street Galleries.


Adamson G., Bryan-Wilson, J. (2016) Art in the Making: Artists and their Materials from the Studio to Crowdsourcing. London: Thames & Hudson, 2016.

Obler, Bibiana. "Craft as a Response to War." Nation Building: Craft and Contemporary American Culture. London: Bloomsbury, 2016.

High, K. Hockin, S., Jimenez, M. (2013). The Emergence of Video Processing Tools: Television Becoming Unglued. New York, Intellect Ltd.

Sholette, G. (2011). Dark Matter: Art and Politics in the Age of Enterprise Culture. London, Pluto Press.

Massimilian, G., Hoptman, L., Cornell, L. (2009). The Younger than Jesus Artist Directory. New York, Phaidon.

Halper, V., Douglas, D. (2009) Choosing Craft: The Artist's Viewpoint. Chapel Hill, University of North Carolina Press.

Gill, J., Hampton, M. Ed. (2009) Creating a New Craft Culture. New York, American Craft Council.

Frank, P. (2008) Prebles' Artforms (9th Edition). New York, Prentice Hall.

Seymour, S. (2008). Fashionable Technology: The Intersection of Design, Fashion, Science, and Technology.

Steffen, A., Ed. (2007). Worldchanging: A User's Guide for the 21st Century. New York, Harry N. Abrams Books.

Gschwandtner, S. (2007). KnitKnit: Profiles and Projects of Knittings New Wave. New York, Stewart, Tabori and Chang.


American Craft Council (2018) 70 Years of Making, (under 2000s). American Craft. April / May issue.

Wyma, C. (2015) Guerrilla Girls Broadband with Chloe Wyma. Brooklyn Rail, June.

Hanus, J. (2014). Brave New World. American Craft, Oct/Nov.

Moses, M. (2012). Future Tense: 40 under 40. American Craft, Oct/Nov.

Bryan-Wilson, J. (2011). Sewing Notions. Artforum. XLIX, No 6, 74.

Jortveit, A.K. (2010) Håndlagde Handlinger. BILLEDKUNST Norway.

Virzi, G. (2009) La Bottega del FAI DATE. ELLE Italia. 244-246.

Altomonte, G. (2009) Tejedoras furiosas. Paula. 50-55.

Koglin, Ilona. (2008). Verstrickte Sache. DasMagazine. 68-71.

Bryan-Wilson, J. (2008). The Politics of Craft. Modern Painters. XX: 23, 80-83.

Allsop, L. (2007). Fine Young Radicals. Useless. 5: 45.

Clements, E. (2007). Thread Alert. Time Out New York: 48.

Sheinman, P. (2007). Radical Lace and Subversive Knitting. FiberArts. 34: 58-59.

Harris, J. (2007). Radical Lace and Subversive Knitting. Time Out New York: 74.

Mura, G. (2007). Quand La Dentelle Se Fait Radicale Et Que Le Tricot Devient Subversif. Art Actuel. 50: 18, 19.

Hemmings, J. (2007). Reeling in the Years. Selvedge: 58-61.

Pignatti, L. (2007). Craftivist? Si, Grazie. la Repubblica delle Donne: 204, 206.

Deserils, M. (2006). Dalla Rete / microRevolt Ago E Filo. la Repubblica delle Donne. 490: 42.

Seymour, S. (2006). "The Epidermis as Metaphor - The Essential Balance of Function and Aesthetic Appeal." x-med-a: 38-41.

Gschwandtner, S. (2006). MICROREVOLT - Knitting as Resistance to Sweatshop Labor. Interweave Knits. XI: 6.

Passmore, J. (2005). Fuzzy Logic. Plastic Rhino: 63-68.

Rosenberg, B. (2005). Knitty Politti. Bust: 26.


Baker, H. (2014) Rebellion by design: when ceramic and textiles get radical. Financial Times London.

O'Steen, D. (2012) '40 Under 40: Craft Futures' at the Renwick Gallery. Washington Post: C1, C2.

Van Siclen, B. (2010) Craft goes Digital. Providence Journal: F1, F4.

Vessby, M. (2009). Virknålens revolution. DN Sweden: 8, 9.

Ashman, A. (2007). Knit Picks. Village Voice. New York City: 40.

Müller, M. (2007). Die Strickeria. Der Standard: 14, 15.

Schwendener, M. (2007). Flash and Flair: Not Frumpiness. The New York Times. New York: B9, B11.

Thomas, M. (2007). 'Thread' Weaves a Digital Approach to Craft Artworks. Pittsburgh Post-Gazette. Pittsburgh.

Müller, V. M. (2006). Üble Maschenschaften. Financial Times Deutschland.

Moreau, D. (2005). Crafted the New Fashioned Way: By Computer. The Troy Record. Troy: D1, D4.

Armstrong, L. (2004). The Crafty Protester. Chicago Reader. Chicago: 8.


Mazza, C. (2007). Stitch for Senate. Knit Knit Issue 7: 8.

Stephany, R. (2006) The Value of Surface. Archiving Today. June Issue: 39-42.

Finn, J. (2005). The Red State Craft Fair. Knit Knit Issue 5: 20-25.

Maddison, M. (2005). Interview with Cat Mazza. Colouring Outside the Lines: 71-75.

Mazza, C. (2004). Logoknitter Testimonial. Knit Knit Issue 4: 5-6.


"Open Studio with Jared Bowen: Artist Yayoi Kusama; 'Hamnet;' and more...", 21 Sept, 2018. WGBH Ch 2 TV

"Are All Young Artists Post-9/11 Artists?"(Ned Ulaby) NPR Weekend Edition. 9 Sept, 2012. NPR Radio.

"Craftivist sends message to Senate" (Abigail Bleck) Albany. Oct, 2008. NBC Channel 13 Television.